How we work

The unpredictable and the autopoiesis, which film makers usually try to eliminate by composing a movie script, become a potential by our working without a script. The immaturity at the beginning is required; in the course of the composition process, it allows to draw on findings, circumstances, persons and outcomes of collective talks, as well as on the improvisation of the performers. Only vague arcs are prescribed: a beginning, a middle, and an end of the story. And the financial bottleneck.

Soldate Jeannette has its point of origin in the variation of autobiographic stories of the leading actresses, which came to light during casting talks. Fiction enters the documentary space made of life experience and original location – aesthetically filtered in pictures that do not become documentary, but strictly stylized get to the bottom of a truth.