Note from Sundance
Even though the walls are crumbling around Fanni’s opulent lifestyle, one would never tell due to her poker face and unflappable etiquette. No longer moved by the beautiful objects money can buy, and on the verge of being discovered for her conniving ways, Fanni sheds her bourgeois identity and decides to trek her way through the alpine mountains. She reaches a remote farm and meets Anna, a young woman shackled by circumstances of her own. Anna has had enough of pigs, and Fanni has had enough of money. Their mutual, yet opposing, quests toward a redefined freedom spark a new found transformation. Whether in crocodile heels and pearls or manure-covered overalls, Fanni’s nerves-of-steel character is superbly inhabited by Johanna Orsini-Rosenberg.
In his striking debut, director Daniel Hoesl’s exacting compositions and visual style places man-made wealth in stark contrast to nature’s bounty, while leaving intact the fierce core of transgression and powerful engine of rebellion beneath his main character’s surface. With a subversive tone, this punk parable revels in the notions of relinquishing materialism and reclaiming unfettered liberty while savoring the sweet taste of revolt and reconstruction.
Christine Davila, Sundance Film Festival